The 2002 film Secretary, directed by Steven Shainberg, is a masterclass in using music to amplify emotional depth. While its narrative explores themes of power dynamics and unconventional romance, the film’s soundtrack plays a crucial role in shaping how the audience perceives these intense moments. The carefully curated music underscores the film’s emotional arcs, making scenes feel more intimate, uncomfortable, or even cathartic. Without its well-placed musical cues, many of the film’s most powerful moments might not have carried the same impact.

One of the most compelling aspects of Secretary‘s use of music is its ability to guide the audience’s emotional journey without overt manipulation. Unlike traditional romance films that rely on swelling orchestral scores to dictate how viewers should feel, Secretary employs subtle yet effective compositions. For instance, the film often uses soft piano melodies and minimalist soundscapes to create an atmosphere of vulnerability. These choices emphasize the delicate balance of control and submission, mirroring the evolving relationship between the protagonists.

Another standout moment where music elevates the storytelling is during scenes of emotional release. The film’s score is not just background noise it actively participates in the storytelling. When Lee Holloway, played by Maggie Gyllenhaal, experiences personal growth and self-acceptance, the music swells in a way that feels organic rather than forced. This use of music ensures that the audience feels her transformation rather than just observing it. The right note at the right moment can shift an entire scene from tension to relief, deepening the viewer’s connection to the character’s internal struggles.

Moreover, Secretary uses music to blur the lines between discomfort and desire. In key scenes where the tension between Lee and her employer, Mr. Grey, heightens, the music doesn’t necessarily dictate how the audience should feel but rather enhances the ambiguity. A playful yet eerie tune might underscore a scene, making it difficult to determine whether a moment is meant to be unsettling or seductive. This calculated use of sound keeps the audience engaged, forcing them to interpret the emotional stakes for themselves rather than being spoon-fed a specific reaction.

Beyond the score, the film’s use of diegetic music that exists within the world of the characters adds another layer of authenticity. Scenes where characters interact with music, whether through a radio playing softly in the background or a piece that underscores a mundane activity, make the emotional beats feel grounded. This technique makes the film’s world feel more lived-in, enhancing its impact without drawing attention away from the performances.

Ultimately, Secretary proves that music is not just a decorative element but a powerful storytelling tool. It deepens emotional resonance, provides insight into character psychology, and enhances the film’s unique tone. Without its carefully crafted soundscape, Secretary might not have achieved the same level of emotional complexity. The film’s use of music is a testament to how sound can heighten narrative depth, making it a crucial element in shaping audience perception and emotional engagement.